主演：PaoloCherchiUsai/GianLucaFarinelli/MauriceGianati/StephenHerbert/AnthonyL'Abbate/GillesTrarieuxLumière/DominiquePaïni导演：EricLange语言：法语地区:法国编剧：SergeBromberg类型：纪录片上映时间：别名：DiscoveringCinema:MoviesDreaminColor用户标签：2000s,SergeBromberg,◎2000s,法国片长：52分钟imdb编号：tt0498703Althoughmotionpicturesemergedinthe1890s,theywereforthemostpartinblackandwhite,anddidn'thavesound,keepingthemquiteabitshortfrombeingthetruesimulcarumoflifetheyaspiredtobe.Numerousinventorsandentrepreneursovertheyearsattemptedtocreatesynchronizedsoundandlifelikecolorpresentationsoftheirfilms,butitwasn'tuntilthelate1920sandthemid1930sthattheyactuallymanagedtoreliablydoso.ThispairofdocumentariesbyEricLangeandSergeBrombergtracesthehistoryofsoundandcolorinthemoviesfromtheearliestdaystomaturity.　　LearningtoTalk(2003)looksattheaudiodimension,fromtheearliestdaysofsoundrecording,unrelatedtomotionpictures.Theearliesterasfeaturethestandardsilentliveaccompaniment,withvariousingeniousadditionssuchasaspecifiedlivesingerorsoundeffectsperformedattheappropriatemoments,ortheNotofilm,whichranthemelodylineoftheintendedscoreacrossthebottomofthescreentoguideaperformer.ButwithEdison'sinventionofthephonograph,itwasclearthatrecordingofsomekindwouldbethefuture.Theproblemwashowtosynchronizethesoundwiththepictures,thoughEdisonmanagedsomeprimitiveachievementsinthisareaasearlyas1902.　　Thereweretwoduelingformatsofsound,oneutilizingdisc(whichwouldevolveintotheVitagraphsoundsystem,usedbyTheJazzSinger),andtheopticalformatusedbytheFoxMovietoneshorts,andwhichwouldeventuallytriumphasthemethodofchoiceforsoundfilms.Thenarrativeisreasonablyclear,althoughitdoestendtomeanderabitfromtopictotopic.Becausethereweresomanycompetingformats,however,thatapproachisprobablyunavoidable.Thedocumentarydepictsmostoftheseversionsinqualityexcerpts,withclipsthatdemonstratethesystemsandtheirlimitationswithclarity.　　Theaccompanyingdocumentary,MoviesDreaminColor(2004),similarlytrackstheevolutionofcolorfrompainstakinghand-paintingofindividualframestothegorgeousresultsofthree-stripTechnicolorinthe1930s.Beforecolorcouldberepresenteddirectlyonfilmasphotographed,agreatmanydeadendswereattempted,suchasKinemacolor,whichgetssurprisinglyeffectiveresultsfromalternatingredandgreenframeswiththeappropriatefilters.There'salsoagooddescriptionofthetintingandtoningprocesses,clarifyingtheoftenconfusingdifferencesandpointingoutthatbothcouldbeusedatonce,dependingonthefilm.　　Evenwhenthereisadeterminationtohavefilm-basedcolor,theapproachwasnotclear.Mostabortiveattemptsusedanadditiveprocess,layeringcolorstoanimpracticalextent.Itwasn'tuntilquiteabitlaterthatasubtractivefilteringprocesswasarrivedattosimplifythecolorphotographysystem.Eventhen,therewereanumberofdifficultiesbeforeTechnicolorwasreadytotaketheworldbystorm.Andthedifferencesincolorqualityarecertainlystrikingenough;thespecimensarehighlyvariableintheireffectiveness,thoughmanyoftheprimitiveversionsaresurprisinglycolorful.Thetwodocumentariestogethertellataleofstruggletoarriveatverisimilitude,andthey'rewelldone.TheoneobjectionIhaveisthatasignificantchunkofboth,dealingwiththeearlymagiclanternera,utilizesthesameexamples,andthey'rethusabitrepetitivewhenseentogether.　　DVDReview 《Lespremierspasducinéma-Unrêveencouleur》的观看地址： http://www.guoshikj.com/pianku/127466.html由美剧天堂提供,欢迎转发分享！